1Shambhala Publications
The leading Western publisher of Buddhist and contemplative literature, which moved from Boston to Boulder in 2015 and has become the anchor of Colorados publishing scene.
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Read the guidelines →Colorado does not look like a publishing state until you count. The Front Range holds one of the largest concentrations of religious publishing anywhere in the country, Boulder has been the American home of contemplative and Buddhist publishing since Shambhala moved there from Boston in 2015, and a scholarly press in Denver serves universities across three states. Add the regional houses working on western history and the outdoors and the total is a real industry, just one distributed along a hundred mile strip of highway rather than gathered into a single city.
The state also has a literary record that is easy to underestimate. Katharine Lee Bates wrote the lines that became America the Beautiful after riding up Pikes Peak in 1893. Helen Hunt Jackson wrote A Century of Dishonor from Colorado Springs. Mary Coyle Chase won the Pulitzer for Drama from Denver with Harvey. Neal Cassady grew up on Larimer Street, which is how a good part of On the Road came to be set here. Below are the publishers operating in the state now, with contact details taken from their own pages rather than from a listings aggregator.
Western Reflections Publishing Company has published from Colorado since 1996 and works with authors across Colorado on regional history, biography, memoir and general non-fiction. Nearly two hundred books are in print, most of them still selling years after publication, which is what a small house can do that a large one cannot.
Every submission is read by a person and answered in writing. Where we would not acquire a manuscript, editing, cover design, formatting, printing and marketing are quoted as fixed fees rather than bundled packages, and the author keeps copyright and every production file.
Listed with the contact details each house publishes itself. A detail we could not confirm is left out rather than guessed.
The leading Western publisher of Buddhist and contemplative literature, which moved from Boston to Boulder in 2015 and has become the anchor of Colorados publishing scene.
A multimedia publisher of spiritual and psychological teaching, built originally on recorded audio programmes and now publishing books, courses and audio from Boulder County.
A non-profit scholarly publisher supported by a consortium of universities across Colorado, Wyoming and Utah, with strong lists in archaeology, anthropology and the environmental history of the mountain west.
An independent Colorado house publishing the American West, native studies, environmental writing and regional history, founded in 1984 and still independently run.
A long established religious publisher producing church curriculum, Sunday school resources and trade Christian books. One of the larger publishing employers on the Front Range.
The Christian publishing division of Penguin Random House, operating out of Colorado Springs rather than New York. Publishes inspirational non-fiction, Christian living and fiction.
The publishing arm of The Navigators, publishing Christian discipleship books and the Message Bible paraphrase. Distribution moved to Tyndale in 2014, but editorial has stayed in Colorado Springs.
A ministry with a substantial book and magazine publishing operation, best known for family and parenting books and the Adventures in Odyssey childrens audio series.
A northern Colorado publisher of church ministry resources, curriculum and vacation Bible school programmes, serving congregations rather than the retail trade.
The lifestyle imprint of Shambhala Publications, publishing books on home, craft, food and mindful living. Shares an office and a submissions process with its parent.
A Boulder company publishing gift books, greeting cards and anthologies of poetry and inspirational prose. One of the few publishers in the state that reads unsolicited poetry as a matter of routine.
A Boulder imprint with a long backlist in western regional books, natural history, archaeology and outdoor guides. Now published under the Bower House group.
A Mountain West publisher of regional history, cookery, trail guides and literary fiction, founded in 2002. Now operating as an imprint of Globe Pequot rather than as an independent Denver house.
Status update: Now an imprint of Globe Pequot. The independent Denver operation, which also carried Johnson Books and Westcliffe, no longer trades on its own.
A small Boulder independent publishing books on health, education, ecology and consciousness, with a list that reflects the towns long standing interest in those subjects.
The publishing arm of the Colorado Mountain Club, producing hiking guides, climbing manuals and mountain history for the state and the wider Rockies.
A Fort Collins non-profit publishing literary work with an environmental focus, run alongside a letterpress studio and a community space in the old town.
A Colorado self publishing services company offering paid packages for design, production and distribution, with the author retaining full rights and royalties.
An independent Colorado house publishing western history, regional non-fiction and memoir since 1996, with nearly two hundred books in print and a catalogue built almost entirely on the mountain west.
A Boulder publisher of firearms, survival and military manuals that traded for forty seven years. Closed at the end of 2017 following the death of its co-founder, and no longer accepts orders or submissions.
Status update: Closed at the end of 2017 after forty seven years, following the death of co-founder Peder Lund.
The state’s publishing history runs along two lines that rarely touch. One begins in Colorado Springs, where a cluster of religious publishers grew up around ministries headquartered in the city, and which now employs more people in book publishing than any other part of the state. The other begins in Boulder in 1974, when Chogyam Trungpa founded the Naropa Institute and Allen Ginsberg and Anne Waldman established the Jack Kerouac School of Disembodied Poetics inside it. That school is still running, and it is the reason a contemplative publisher of Shambhala’s size found Boulder a natural place to land four decades later.
Denver has its own literary lineage, most of it written in the city rather than about it. Thomas Hornsby Ferril was Colorado’s poet laureate for a quarter of a century and worked from a house on Downing Street that still stands. Mary Coyle Chase was a Denver newspaper reporter when she wrote Harvey, which took the 1945 Pulitzer for Drama. Eugene Field edited the Denver Tribune long before anyone thought of him as a childrens poet. More recently the Lighthouse Writers Workshop has grown into one of the larger independent literary centres in the country, and the Tattered Cover has spent decades demonstrating what a serious independent bookshop does for a city’s writing.
The mountains carry a separate tradition again, one that Western Reflections has spent nearly thirty years publishing: mining camps, narrow gauge railroads, the San Juans, the people who stayed after the ore ran out. Kent Haruf wrote his Holt County novels out of the eastern plains, John Fante based the Colorado of his Bandini books on Boulder, and Stephen King checked into the Stanley Hotel at Estes Park in 1974 and left with The Shining. Colorado gives writers landscape and consequence in the same place, which is a rarer combination than it sounds.

Most of Colorado’s general publishers read proposals directly, which is the first thing to understand about publishing here. Fulcrum, Shambhala, Sounds True, University Press of Colorado, Colorado Mountain Club Press and Western Reflections all accept submissions from authors without an agent, and Blue Mountain Arts reads unsolicited poetry as a matter of course. The religious houses in Colorado Springs are the exception and work through agents and writers conferences. For a regional non-fiction writer, that means the route to a real publisher in this state is a well built proposal and a sample, not a year of querying agents.
The state also has an unusually good set of programmes for developing a manuscript before it goes anywhere. The Lighthouse Writers Workshop in Denver runs year round classes, a June festival, and the Book Project, a year long programme in which a small group of writers finish a manuscript under the guidance of a published author. Naropa’s Summer Writing Program in Boulder has run every year since 1974. Aspen Words, part of the Aspen Institute, awards a thirty five thousand dollar literary prize for fiction and runs a summer conference. Colorado Humanities administers the Colorado Book Awards, given annually since 1991 across a dozen categories, and a shortlisting there is worth more to a regional title than most national reviews.
Books launch through a small number of shops that matter. The Tattered Cover in Denver, the Boulder Book Store on Pearl Street, Maria’s Bookshop in Durango, Explore Booksellers in Aspen, Old Firehouse Books in Fort Collins and Poor Richard’s in Colorado Springs are the venues that host events and stock regional work, and a title that has been through those shops has reached the readers who buy Colorado books. Beyond them, the museum shops, History Colorado, the visitor centres and the historical societies sell steadily to a tourist trade that arrives every summer wanting to read about where it is standing. The Denver Public Library’s Western History and Genealogy department is where the research for most of those books begins.

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Learn more →Western Reflections has published from the western slope since 1996. We know which archives hold what, which county historical societies will help, and which regional claims need a source before they go into print.
Close to two hundred books in print on mining, railroads, the San Juans, ghost towns and Colorado biography. A manuscript on those subjects arrives at an editor who already knows the ground.
Traditional contracts leave copyright with the author. On our fee based services you own every file we produce, including the print ready interior and the layered cover artwork.
Editing, cover design, formatting, printing and marketing are quoted individually. There are no packages that bundle things you did not ask for.
Every Colorado submission is read by a person, not filtered by a form. You get a written response on fit, on what the manuscript is doing well and on what would need work.
We set out which services the book actually needs, what each costs and how long it takes. If a manuscript needs less than you expected, we say so.
Structural and line editing, cover design, interior typesetting and proofs. Regional books get a factual check against the sources, which matters more in local history than anywhere else.
Print runs or print on demand, distribution through the wholesalers Colorado bookshops actually order from, and launch support with regional shops, museums and historical societies.
City directories go deeper on the local scene; the state page carries every publisher in Colorado.
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