1University Press of Colorado
A non-profit scholarly publisher supported by a consortium of universities across Colorado, Wyoming and Utah, with strong lists in archaeology, anthropology and the environmental history of the mountain west.
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Read the guidelines →Denver publishing is a metro area phenomenon rather than a downtown one. The scholarly press that serves universities across three states keeps its mailing address on Logan Street, but the western history house is out in Wheat Ridge, the mountain club’s publishing arm is in Golden, and the self publishing services company is down in Parker. Five publishers is an honest count for a city of this size, and it is worth being honest about it, because most directories pad the Denver list with printers, book coaches and companies that have not traded in years.
What Denver does have in abundance is literary infrastructure. The Tattered Cover has been one of the country’s defining independent bookshops since 1971. The Lighthouse Writers Workshop has grown into one of the larger literary centres in the United States. Denver Quarterly has been published from the University of Denver since 1966. For an author, that means an unusually good place to develop and launch a book, even if the publisher ends up being somewhere else.
For authors in Denver and the surrounding area, Western Reflections offers something most of the houses on this page cannot: a direct read, a written response and a publisher who will say plainly when another Colorado press is the better home for your book. We have published regional history, biography and memoir from Colorado since 1996 and work with authors nationally by email and phone.
Services are quoted individually and never as a package, you retain copyright and all files, and books stay in print. A quote costs nothing and commits you to nothing.
Contact details are the ones each publisher lists itself. Anything we could not confirm is left out rather than guessed.
A non-profit scholarly publisher supported by a consortium of universities across Colorado, Wyoming and Utah, with strong lists in archaeology, anthropology and the environmental history of the mountain west.
An independent Colorado house publishing the American West, native studies, environmental writing and regional history, founded in 1984 and still independently run.
The publishing arm of the Colorado Mountain Club, producing hiking guides, climbing manuals and mountain history for the state and the wider Rockies.
A Colorado self publishing services company offering paid packages for design, production and distribution, with the author retaining full rights and royalties.
A Mountain West publisher of regional history, cookery, trail guides and literary fiction, founded in 2002. Now operating as an imprint of Globe Pequot rather than as an independent Denver house.
Status update: Now an imprint of Globe Pequot. The independent Denver operation, which also carried Johnson Books and Westcliffe, no longer trades on its own.
The city’s most famous literary appearance is one it did not ask for. Neal Cassady grew up on Larimer Street when it was skid row, and when Jack Kerouac came to visit him in 1947 the trip became the Denver chapters of On the Road. The Denver of that book is a city of pool halls, boarding houses and all night cafes, most of which were demolished in the urban renewal of the 1960s, so the novel is now one of the better records of a downtown that no longer exists.
Katherine Anne Porter came to Denver in 1918 to work at the Rocky Mountain News and nearly died in the influenza epidemic that autumn. She turned that experience into Pale Horse, Pale Rider, one of the few works of American fiction to take the 1918 pandemic seriously as a subject. Mary Coyle Chase was a Denver reporter too, and wrote Harvey, the play about a man and his invisible rabbit, which took the 1945 Pulitzer for Drama and has hardly left the stage since. Thomas Hornsby Ferril was the state’s poet laureate for a quarter of a century, and his house on Downing Street is now preserved as a literary landmark.
The modern city has built on that. The Tattered Cover, under Joyce Meskis, became a national reference point for what an independent bookshop could be and fought a landmark case in 2002 to keep customer purchase records out of police hands. The Lighthouse Writers Workshop, founded in 1997, now runs a year round programme of classes, a summer festival and a literary residency. Counterpath Press publishes experimental work from the city. Denver is, quietly, a good place to be a writer, and a better one to launch a book than the number of publishers would suggest.

A Denver launch means the Tattered Cover, which has been the city’s literary centre since 1971 and hosts events across its locations most nights of the week. Kilgore Books, Capitol Hill Books and West Side Books serve the neighbourhoods, Second Star to the Right is the childrens shop, and all of them order through wholesalers on trade terms. The Lighthouse Writers Workshop runs Lit Fest every June, a two week programme of classes, readings and agent meetings that is the single most useful fortnight in the Colorado literary calendar, and its Book Project takes a small cohort of writers through a full manuscript over a year. The Colorado Book Awards ceremony is held in the city each spring.
For research, the Denver Public Library’s Western History and Genealogy department on the fifth floor of the Central Library holds the photographs, manuscripts and newspapers that most Colorado history is written from, and the History Colorado Center on Broadway holds the state’s museum collections and archives. Denver Quarterly has published from the University of Denver since 1966 and remains a serious literary journal. Counterpath runs a press and a gallery in Park Hill. University Press of Colorado, Fulcrum and Colorado Mountain Club Press all read proposals directly, which means a Denver author with a regional subject can reach an acquiring editor without an agent, a rarity in a city this size.

Every service is quoted on its own, so you buy the stages your manuscript actually needs rather than a package built around the ones it does not.
Developmental, line and copy editing, plus proofreading, quoted by manuscript length and condition.
Learn more →Original cover artwork and typography, supplied as layered source files you keep.
Learn more →Print ready interiors and reflowable ebook files built from one typeset source.
Learn more →Short runs, offset runs and print on demand, with paper and binding specified to the book.
Learn more →Launch planning, retailer metadata, review outreach and regional bookshop campaigns.
Learn more →Full manuscript writing from interviews, notes or a partial draft, published under your name.
Learn more →Regional history from the Front Range runs through the Denver Public Library’s Western History collection, History Colorado and the county societies. We have worked in all of them and can tell you where a source is likely to be before you drive to it.
The Tattered Cover, Kilgore Books, Second Star to the Right and the neighbourhood shops all host events and stock regional books. We set up wholesale listings on terms those buyers accept and help plan a launch around them.
Submissions are read by a person and answered in writing. Services are quoted individually, and you keep copyright and every production file.
Send the manuscript or a proposal. You get a written assessment of fit and condition, and a candid view on whether University Press of Colorado or Fulcrum would serve the book better.
A written plan covering only what the book needs, each stage priced separately.
Structural editing before line work, then cover and interior, with a source check on regional and historical claims.
Print on demand or a run, wholesale listings for Denver bookshops and libraries, and a launch plan around the city’s reading venues.
City directories go deeper on the local scene; the state page carries every publisher in Colorado.
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