Independent publisher · Lake City, Colorado Est. 1996

The 8 Best Book Publishing Companies in San Francisco

San Francisco publishes with a personality that no other American city quite matches. The illustrated house on Second Street treats the physical book as the product. The bookshop on Columbus Avenue changed American obscenity law. The non-profit on Valencia Street once issued a literary quarterly as a bundle of loose mail. Even the technical publisher in town is known for jokes in its programming manuals. None of these is a general trade house, and all of them are better at their specific thing than a general trade house would be.

Oakland, across the bay, holds a second cluster that is easy to overlook from the city side: the University of California Press, the business publisher Berrett-Koehler, the psychology house New Harbinger and the radical press PM Press are all there. The listings below cover both sides of the bridge, with the location field showing which is which.

8
Publishers listed
1996
Publishing since
The listings

Book publishers working in San Francisco

Contact details are the ones each publisher lists itself. Anything we could not confirm is left out rather than guessed.

1Chronicle Books

A San Francisco independent whose reputation rests on physical book design. Publishes illustrated non-fiction, cookery, childrens books and gift books, and takes proposals without an agent.


Address
680 Second Street, San Francisco, CA 94107
Phone
(415) 537-4200
Hours
Monday to Friday, 9am to 5pm Pacific
Submissions
Proposals accepted directly through the publishers submissions page

2City Lights Publishers

The publishing arm of the North Beach bookshop founded by Lawrence Ferlinghetti in 1953, and the house that published Ginsbergs Howl and then won the obscenity trial that followed.


Address
261 Columbus Avenue, San Francisco, CA 94133
Phone
(415) 362-8193
Submissions
Query first, see publishers guidelines

3McSweeney’s

A non-profit publishing house and quarterly journal founded by Dave Eggers, known for treating the design of a book or magazine as part of the writing.


Address
849 Valencia Street, San Francisco, CA 94110
Submissions
Open submissions for some lists, check current guidelines

4No Starch Press

An independent technical publisher known for programming, security and hardware books with a sense of humour, and for treating its authors unusually well on royalties.


Address
San Francisco, California
Submissions
Proposals accepted directly

5University of California Press

One of the largest and most influential university presses in the country, publishing across the humanities, social sciences and natural sciences on behalf of the University of California system.


Address
Oakland, California
Submissions
Proposals accepted directly from academic authors

6Berrett-Koehler Publishers

An independent business and social change publisher structured as a benefit corporation, with an author community that is unusually involved in how the house is run.


Address
Oakland, California
Submissions
Proposals accepted directly

7New Harbinger Publications

An independent psychology publisher specialising in evidence based self help, and the main trade publisher of workbooks built on cognitive behavioural and acceptance and commitment therapy.


Address
Oakland, California
Submissions
Proposals accepted directly from qualified clinicians

8PM Press

A radical publisher and distributor putting out political theory, history, fiction and music from an anarchist and left libertarian perspective, with a strong Bay Area backlist.


Address
Oakland, California
Submissions
Proposals accepted directly
Local context

Professional Book Publishers in San Francisco, California

The city’s literature started in its newsrooms. Mark Twain, Bret Harte and Ambrose Bierce all worked San Francisco papers in the 1860s and 1870s, and Twain’s Jumping Frog was written here for a New York weekly. Frank Norris set McTeague on Polk Street in 1899. Jack London was born on Third Street in 1876. Dashiell Hammett wrote The Maltese Falcon in an apartment on Post Street and set it in the streets around it, so precisely that the alley where Miles Archer is shot now carries a plaque. San Francisco has always been a city that writes about itself at street level.

The Six Gallery reading on 7 October 1955 was the pivot. Allen Ginsberg read Howl aloud for the first time to a small crowd on Fillmore Street, Lawrence Ferlinghetti wrote to him the next day offering to publish it, and City Lights did. Customs seized the printed copies in 1957, Ferlinghetti was arrested, and Judge Clayton Horn’s acquittal set a precedent that made publishable a great deal of what American literature did next. The shop is now an official city landmark and still a publisher. Kenneth Rexroth, who had hosted that reading, had already spent a decade making the city a centre for poetry that took the Pacific rather than Europe as its reference point.

The modern city kept the habit of doing things its own way. Armistead Maupin serialised Tales of the City in the Chronicle from 1976, Chronicle Books itself grew out of the newspaper into a publisher that other publishers study for design, and Dave Eggers built McSweeney’s and the 826 Valencia writing centre within a few doors of each other. Litquake has run a citywide festival every October since 2002, and Zyzzyva has published West Coast writers since 1985. It is not a city with a large publishing industry. It is a city with an unusually specific one.

Reading an art book
Routes in

Getting Published in San Francisco: Who Reads Directly, Prizes, and Where Books Launch

Litquake, every October since 2002, is the city’s literary festival and its Lit Crawl fills the Mission with readings on a single night; for a new author it is the most efficient introduction to the Bay Area scene. The Writers Grotto on Second Street is a shared workspace and community of working writers that has been central to San Francisco publishing for two decades. 826 Valencia, the youth writing centre Dave Eggers founded beside McSweeney’s, and Zyzzyva, publishing West Coast writers since 1985, are both institutions. The Commonwealth Club gives the California Book Awards each spring and the Northern California Book Awards follow.

The city’s bookshops are the launch circuit and they order through wholesalers on trade terms. City Lights on Columbus Avenue still hosts readings under the same roof as the press. Green Apple on Clement Street and its Ninth Avenue shop, the Booksmith on Haight Street, Dog Eared in the Mission and Alley Cat further along Valencia all run events. Omnivore Books on Cesar Chavez sells only food and cookery titles, which for a Chronicle style illustrated book is the most targeted launch venue in the country. Chronicle, City Lights, McSweeney’s and No Starch all read directly, as do the Oakland houses across the bay, so a San Francisco author with the right subject has an acquiring editor within reach without an agent.

Charts on a desk

Why San Francisco Authors Choose Western Reflections Publishing

We tell you which San Francisco house to try first

If your project is illustrated, Chronicle takes proposals directly and is probably the right target. If it is technical, No Starch. If it is business, Berrett-Koehler. We say so, and we take the memoir, regional history and general non-fiction those specialists do not.

Fixed fees at below Bay Area freelance rates

Services are quoted individually. A Colorado house working with Bay Area authors is, frankly, a good deal cheaper than hiring the same work locally, and you keep every file.

Distribution into the city’s bookshops

Green Apple, City Lights, Dog Eared, Booksmith and the rest order through wholesalers on trade terms. We set books up so those buyers can actually say yes.

Our Book Publishing Process for San Francisco Authors

Step 1
Read and direction

An honest read and, where a San Francisco specialist is the right home, a straightforward steer toward it with the submission route explained.

Step 2
Scope and quote

A written plan of only the stages the manuscript needs, priced separately.

Step 3
Editorial, design, production

Structure first, then line and copy editing, then cover and interior with proofs.

Step 4
Print, distribute, launch

Print on demand or a run, wholesale listings, and a launch built around the city’s bookshops and Litquake season.

Questions authors ask

Frequently Asked Questions: Book Publishing in San Francisco

Can I submit directly to Chronicle Books?
Yes, and it is one of the more genuinely open doors in American publishing for the right project. Chronicle takes proposals through the submissions page on its own site, without an agent, and it reads them. What it wants is a strongly visual concept with a clear sense of the finished object: cookery, art, design, childrens, gift and pop culture. A text only memoir or a novel is not what the house publishes and will not get far regardless of quality.
How much does it cost to publish a book in San Francisco?
Nothing if a publisher acquires it. Bought as services, the Bay Area is among the two or three most expensive freelance markets in the United States and a full length book routinely runs five to twelve thousand dollars for a structural edit, copyedit, cover and interior from experienced people. Illustrated projects cost considerably more because of photography, permissions and colour printing. This is one reason authors here increasingly hire editors and designers outside the region.
Who owns the rights to photographs and illustrations in my book?
Whoever made them, unless you have a signed assignment or licence. Your text is your copyright. Every image is separately copyrighted by the photographer or illustrator, and a publisher will require a licence for each one before printing. Archive and museum images carry their own reproduction fees. For an illustrated San Francisco book, permissions clearance is a real budget line and it takes longer than the editing, so start it first.
Which format works for a book about the city?
A well made paperback for regional history and culture, sold through the independent bookshops, the Ferry Building, the museum shops and the visitor trade. For design and photography, a case bound hardcover, since the book is the product. Ebooks perform poorly for heavily illustrated books because reflowable formats break the layout; a fixed layout edition or no ebook at all is often the right call.
Small Press Distribution closed in 2024. What does that mean for Bay Area authors?
Small Press Distribution, which operated from Berkeley for fifty five years as the only American distributor devoted solely to independent literary presses, closed abruptly in March 2024. If you are buying from a small poetry or literary press, some books became temporarily hard to order. If you are an author with a small press, ask directly how your publisher reaches bookshops now, because for several hundred presses the answer changed in a week.
Is Oakland part of the San Francisco publishing scene?
For practical purposes yes, and the listings above treat it that way with the location shown. University of California Press, Berrett-Koehler, New Harbinger and PM Press are all in Oakland, a short BART ride from downtown San Francisco. Berkeley, further along the same line, holds its own cluster and has its own page in this directory. An author in the city has all three within reach.

Find Publishers All Across California

City directories go deeper on the local scene; the state page carries every publisher in California.