{"id":4082,"date":"2026-02-27T09:10:24","date_gmt":"2026-02-27T09:10:24","guid":{"rendered":"https:\/\/westernreflectionspublishing.com\/blogs\/?p=4082"},"modified":"2026-07-25T04:53:15","modified_gmt":"2026-07-25T04:53:15","slug":"how-to-create-a-character-personality-in-a-story","status":"publish","type":"post","link":"https:\/\/westernreflectionspublishing.com\/blogs\/how-to-create-a-character-personality-in-a-story\/","title":{"rendered":"How to Create a Character Personality in a Story"},"content":{"rendered":"<p>Learning how to create a character personality in a story is one of the most valuable skills a writer can develop. Plot pulls readers in, and vivid world building keeps them curious, but personality is what makes them stay. People do not fall in love with events. They fall in love with characters who feel like real, breathing human beings. Whether you are writing a sweeping fantasy epic, a tender romance, or a tense psychological thriller, your characters need to feel alive, layered, and emotionally honest.<\/p>\n<p>If you have ever admired how deeply human the characters feel in books like <em>To Kill a Mockingbird<\/em> or <em>The Hunger Games<\/em>, you have already felt the pull of strong personality construction. Those stories endure because their characters are more than names on a page. They are belief systems, private fears, quiet contradictions, and emotional journeys that mirror our own. In this detailed guide, you will learn how to build a character personality that feels real, memorable, and narratively powerful, with practical frameworks you can apply to any project.<\/p>\n<h2>What Is Character Personality in Fiction?<\/h2>\n<p>Character personality refers to the consistent patterns of thought, behavior, emotion, and motivation that shape how a character responds to the world around them. It is the invisible engine underneath every choice they make. A well built personality usually includes several core ingredients:<\/p>\n<ul>\n<li><strong>Core values<\/strong> that guide what the character believes is right and wrong<\/li>\n<li><strong>Emotional tendencies<\/strong> such as how quickly they anger, trust, or forgive<\/li>\n<li><strong>Strengths and flaws<\/strong> that both help and hurt them<\/li>\n<li><strong>Speech patterns<\/strong> that make their voice recognizable<\/li>\n<li><strong>Moral boundaries<\/strong> they refuse to cross<\/li>\n<li><strong>Fears and desires<\/strong> that drive their deepest decisions<\/li>\n<\/ul>\n<p>Personality is not simply a list of adjectives like brave or kind. It is how those traits actually behave under pressure. Bravery might look like reckless impulsiveness in one character and quiet, stubborn endurance in another. That nuance is where memorable characters are born, and it is what separates a person from a placeholder.<\/p>\n<h2>Start With the Character&#8217;s Core Wound<\/h2>\n<p>One of the most reliable ways to build a believable personality is to begin with emotional history rather than surface traits. Ask yourself three questions about your character&#8217;s past. What hurt this person deeply? What belief did they form because of that hurt? And how does that belief quietly shape their present behavior?<\/p>\n<p>Consider how this plays out in practice. A character abandoned as a child may grow into someone fiercely independent who refuses to rely on anyone. A character betrayed by a close friend may guard their trust so tightly that it strains every new relationship. A character who was constantly underestimated may become relentlessly ambitious, or defensive at the smallest slight. Core wounds create consistent emotional reactions, and consistency is what makes readers feel they truly know someone. The wound explains <em>why<\/em> a character acts the way they do, which is far more compelling than the behavior alone.<\/p>\n<h2>Define Their Dominant Trait, Then Complicate It<\/h2>\n<p>Every strong character has a dominant trait that shapes first impressions. Depth, however, comes from contradiction. A single note played over and over grows dull, but a chord holds our attention. The most interesting personalities carry tension inside themselves:<\/p>\n<ul>\n<li>Confident on the outside, secretly insecure underneath<\/li>\n<li>Compassionate toward strangers, yet emotionally distant with loved ones<\/li>\n<li>Fiercely loyal, and quietly possessive because of it<\/li>\n<li>Brilliant and analytical, but socially awkward<\/li>\n<\/ul>\n<p>Think of Elizabeth Bennet in <em>Pride and Prejudice<\/em>. She is witty, intelligent, and independent, and she is also prejudiced and quick to judge. That flaw is not a mistake in the writing. It is the emotional arc of the entire novel. Contradictions are not inconsistencies. They are what make characters feel human, because real people rarely fit neatly into one box.<\/p>\n<h2>Use the Big Five Personality Framework for Depth<\/h2>\n<p>Writers often borrow from psychology to give their characters realistic dimension. One of the most useful references is the Big Five personality model, which measures five broad traits that appear across real human beings. You do not need to score your character formally, but thinking through these dimensions helps ensure psychological realism.<\/p>\n<table>\n<tbody>\n<tr>\n<td><strong>Trait<\/strong><\/td>\n<td><strong>High Score Character<\/strong><\/td>\n<td><strong>Low Score Character<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Openness<\/td>\n<td>Creative, curious, imaginative<\/td>\n<td>Traditional, practical, grounded<\/td>\n<\/tr>\n<tr>\n<td>Conscientiousness<\/td>\n<td>Organized, disciplined, reliable<\/td>\n<td>Impulsive, careless, spontaneous<\/td>\n<\/tr>\n<tr>\n<td>Extraversion<\/td>\n<td>Outgoing, assertive, energetic<\/td>\n<td>Reserved, reflective, private<\/td>\n<\/tr>\n<tr>\n<td>Agreeableness<\/td>\n<td>Cooperative, warm, empathetic<\/td>\n<td>Competitive, blunt, guarded<\/td>\n<\/tr>\n<tr>\n<td>Neuroticism<\/td>\n<td>Emotionally reactive, anxious<\/td>\n<td>Calm, steady, emotionally stable<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Mixing high and low scores across these five traits produces surprising, distinct personalities. A character who is highly open but low in conscientiousness becomes the brilliant, chaotic artist. A character low in extraversion but high in agreeableness becomes the quiet friend everyone secretly relies on. For a deeper look at how professionals build fictional people from the ground up, this <a href=\"https:\/\/www.masterclass.com\/articles\/how-to-develop-fictional-characters\" target=\"_blank\" rel=\"noopener\">MasterClass guide to developing fictional characters<\/a> is a helpful companion.<\/p>\n<h2>Align Personality With Story Genre<\/h2>\n<p>Personality should never exist in a vacuum. It has to support the genre, the theme, and the emotional promise you are making to the reader. A trait that feels essential in one genre can feel out of place in another.<\/p>\n<ul>\n<li>In thrillers, suspicion and hypervigilance heighten the tension on every page.<\/li>\n<li>In romance, emotional vulnerability becomes the doorway that lets connection in.<\/li>\n<li>In fantasy, deep moral conviction often fuels epic, world altering conflict.<\/li>\n<\/ul>\n<p>Katniss Everdeen from <em>The Hunger Games<\/em> is guarded, survival focused, and emotionally restrained. Those are exactly the traits a brutal dystopian arena demands, and they make her eventual moments of tenderness land with real force. When personality and genre pull in the same direction, the story feels purposeful rather than accidental.<\/p>\n<h2>Create Personality Through Choices, Not Labels<\/h2>\n<p>Perhaps the single most important rule of characterization is this. Show personality through action instead of announcing it. Do not write, &#8220;She was brave.&#8221; Instead, let bravery reveal itself through what she does. She walks into the burning building. She speaks up against an authority everyone else fears. She steps between a bully and someone weaker.<\/p>\n<p>Readers believe what characters <em>do<\/em>, not what a narrator claims about them. A character who insists they are kind while ignoring obvious suffering is not kind, no matter how many times the prose says otherwise. Behavior defines personality, and choices under pressure define it most of all. This principle of showing rather than telling is a cornerstone of strong <a href=\"https:\/\/www.grammarly.com\/blog\/character-development\/\" target=\"_blank\" rel=\"noopener\">character development explained by Grammarly<\/a>, and it applies to every scene you write.<\/p>\n<h2>Give Them Moral Boundaries<\/h2>\n<p>Every fully realized personality has lines they will not cross. Those boundaries are where drama lives, because a story often works by pressing a character toward the very edge of what they can accept. To find your character&#8217;s moral core, ask hard questions. Would they lie to survive? Would they sacrifice one innocent person to save many? Could they ever forgive a betrayal?<\/p>\n<p>Atticus Finch in <em>To Kill a Mockingbird<\/em> is defined almost entirely by his moral integrity. He defends justice even when his entire town turns against him, and that unwavering code is his personality made visible. Clear moral boundaries create powerful dramatic tension, because the reader always senses what it would cost the character to break them.<\/p>\n<h2>Develop Their Voice and Dialogue Style<\/h2>\n<p>Personality shines brightest in dialogue. The way a character speaks reveals class, education, mood, insecurity, and history, often without a single line of description. To make each voice distinct, vary these elements from character to character:<\/p>\n<ul>\n<li>Sentence length and rhythm<\/li>\n<li>Vocabulary and word choice<\/li>\n<li>Sense of humor, from dry sarcasm to warm silliness<\/li>\n<li>Emotional openness or guardedness<\/li>\n<li>Directness versus avoidance<\/li>\n<\/ul>\n<p>A sarcastic character leans on dry, cutting humor. A shy character speaks in fragments and trails off. A dominant personality interrupts and steers the conversation. A useful test is to read your dialogue aloud. If every character sounds exactly like you, their personalities still need sharpening. When voices are distinct, a reader should be able to guess who is speaking even without dialogue tags.<\/p>\n<h2>Pair Strengths and Flaws Together<\/h2>\n<p>A personality feels flat when it contains only strengths. Real depth comes from flaws that grow directly out of a character&#8217;s virtues, because that is how real people work too. Strong personality construction pairs each strength with a related weakness:<\/p>\n<ul>\n<li>Brave, and therefore reckless<\/li>\n<li>Loyal, and therefore possessive<\/li>\n<li>Intelligent, and therefore arrogant<\/li>\n<li>Independent, and therefore emotionally closed off<\/li>\n<\/ul>\n<p>Flaws are not decorations. They drive conflict, and conflict drives the entire story. A perfect character has nowhere to grow and nothing to overcome, which is why flawless heroes feel lifeless on the page. If you want to write emotionally resonant fiction, learn to love your characters&#8217; imperfections. Professional <a href=\"https:\/\/blog.reedsy.com\/character-development\/\" target=\"_blank\" rel=\"noopener\">character development resources from Reedsy<\/a> emphasize this same balance of strength and vulnerability.<\/p>\n<h2>Make Personality Evolve Over Time<\/h2>\n<p>Real people adapt under pressure, and so should your characters. Static personalities that never change tend to feel unrealistic and forgettable. Meaningful growth might involve overcoming a false belief, learning to be vulnerable, facing a lifelong fear, or finally breaking a toxic pattern.<\/p>\n<p>Ebenezer Scrooge in <em>A Christmas Carol<\/em> is the classic example. His personality shifts from cold and miserly to generous and warm, and the transformation works precisely because we come to understand the loneliness and fear at his emotional roots. Growth gives readers an emotional payoff. It rewards them for caring, and it is one of the deepest reasons stories stay with us long after the last page.<\/p>\n<h2>Build Personality Through Relationships<\/h2>\n<p>People behave differently depending on who they are with, and characters should too. The way someone acts around a rival is not the way they act around a child or a parent. To find these hidden layers, ask who softens your character, who challenges them, who intimidates them, and who sees straight through their defenses.<\/p>\n<p>A confident leader might shrink into an insecure teenager the moment a critical parent walks in. A hardened warrior might become impossibly gentle with a frightened child. This kind of relational contrast reveals sides of a personality that no amount of solitary introspection could show, and it makes your cast feel like a living network rather than a set of isolated figures.<\/p>\n<h2>Use Backstory Carefully<\/h2>\n<p>Backstory explains personality, but it should never swamp the present story. Readers came for the journey unfolding now, not a lecture about the past. The goal is to reveal history gradually and only when it earns its place, through conflict, through memory triggers, through sudden emotional reactions, and through subtle hints buried in dialogue.<\/p>\n<p>Avoid dumping large blocks of biography onto the page. Instead, let the personality itself hint at what came before. A character who flinches at raised voices tells us something without a single flashback. Trust your reader to assemble the picture, and the backstory will feel discovered rather than delivered.<\/p>\n<h2>Create Personality Through Habits and Details<\/h2>\n<p>Small, specific habits make a personality feel observable and vivid. These little tics are the fingerprints of a character, and readers remember them long after they forget a paragraph of description:<\/p>\n<ul>\n<li>Bites their nails when nervous<\/li>\n<li>Cleans obsessively to feel in control<\/li>\n<li>Avoids eye contact during hard conversations<\/li>\n<li>Talks too fast when lying<\/li>\n<li>Refuses help even when they clearly need it<\/li>\n<\/ul>\n<p>Concrete details give a character texture. They turn an abstract personality into a person you could pick out of a crowd, and they let you show emotional states without ever naming them directly.<\/p>\n<h2>Ensure Personality Drives the Plot<\/h2>\n<p>In weak stories, the plot drags characters from scene to scene like puppets. In strong stories, personality generates the plot. Every major turn should feel like the natural result of who these people are. To pressure test this, ask what decision your character&#8217;s personality would naturally lead to, what mistake they would realistically make, and what fear might cause them to sabotage their own success.<\/p>\n<p>If your protagonist is stubborn, that stubbornness should complicate events and close doors that a more flexible person would leave open. If they are quick to forgive, that mercy should change outcomes in ways a colder character never could. When personality shapes decisions, and decisions shape the plot, the whole story feels organic and inevitable.<\/p>\n<h2>Character Personality Development Worksheet<\/h2>\n<p>Here is a practical framework you can use while planning any character. Fill in each element before you draft, and you will already know how your character thinks, feels, and reacts.<\/p>\n<table>\n<tbody>\n<tr>\n<td><strong>Element<\/strong><\/td>\n<td><strong>Key Question<\/strong><\/td>\n<td><strong>Example Answer<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Core Wound<\/td>\n<td>What past event shaped them?<\/td>\n<td>Betrayed by a best friend<\/td>\n<\/tr>\n<tr>\n<td>False Belief<\/td>\n<td>What wrong idea do they hold?<\/td>\n<td>Trust makes you weak<\/td>\n<\/tr>\n<tr>\n<td>Dominant Trait<\/td>\n<td>What defines first impressions?<\/td>\n<td>Fiercely independent<\/td>\n<\/tr>\n<tr>\n<td>Strength<\/td>\n<td>What makes them capable?<\/td>\n<td>Sharp strategic thinker<\/td>\n<\/tr>\n<tr>\n<td>Flaw<\/td>\n<td>What creates internal conflict?<\/td>\n<td>Emotionally distant<\/td>\n<\/tr>\n<tr>\n<td>Moral Boundary<\/td>\n<td>What will they never do?<\/td>\n<td>Never betray family<\/td>\n<\/tr>\n<tr>\n<td>Fear<\/td>\n<td>What terrifies them most?<\/td>\n<td>Being abandoned again<\/td>\n<\/tr>\n<tr>\n<td>Desire<\/td>\n<td>What do they want deeply?<\/td>\n<td>Emotional security<\/td>\n<\/tr>\n<tr>\n<td>Growth Arc<\/td>\n<td>What must they learn?<\/td>\n<td>Vulnerability builds strength<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2>Avoid Common Personality Mistakes<\/h2>\n<p>Even experienced writers stumble into a few recurring traps when building characters. Watching for these will keep your cast feeling fresh and believable.<\/p>\n<h3>Stereotypes Instead of Individuals<\/h3>\n<p>Avoid clich\u00e9s like the mean girl or the shy nerd unless you complicate them with genuine nuance. A stereotype is a starting point, not a finished character.<\/p>\n<h3>Inconsistent Behavior Without Reason<\/h3>\n<p>If a calm character suddenly explodes in rage, there must be visible buildup. Change should feel earned, not random.<\/p>\n<h3>Too Many Traits at Once<\/h3>\n<p>Focus on three to five core traits rather than a scattered pile of qualities. A clear personality is more powerful than a crowded one.<\/p>\n<h3>Characters Who Are Too Perfect<\/h3>\n<p>Flawless personalities are boring, and they leave no room for growth. Conflict requires imperfection, so give your characters room to fail.<\/p>\n<h2>Test Your Character&#8217;s Personality<\/h2>\n<p>Here is a simple diagnostic. Drop your character into a small situation that has nothing to do with your main plot and see how they react. Imagine they lose their wallet, or they are insulted publicly, or they witness someone cheating. How do they respond?<\/p>\n<p>If you instantly know the answer, your character&#8217;s personality is strong and specific. If you hesitate or feel like you could justify almost any reaction, the personality still needs refining. A well built character will make certain choices feel obvious and others feel impossible.<\/p>\n<h2>Let Theme Shape Personality<\/h2>\n<p>Your character&#8217;s personality and your story&#8217;s theme should reflect each other. If your story explores injustice, your protagonist might value fairness so deeply that they cannot stay silent. If your theme is redemption, your character might carry a heavy load of guilt that shadows every scene. When personality and theme mirror one another, the story gains a quiet unity that readers feel even if they cannot name it. The character becomes the living argument of the book.<\/p>\n<h2>Frequently Asked Questions<\/h2>\n<div class=\"wrp-faq w3-faq-block w3-faq-has-schema\" data-schema=\"1\">\n<div class=\"wrp-faq__item w3-faq-item open\"><button type=\"button\" class=\"wrp-faq__q w3-faq-question\" aria-expanded=\"false\" aria-controls=\"wrp-faq-1\"><span>How do you create a character&#039;s personality in a story?<\/span><\/button><div class=\"wrp-faq__a w3-faq-answer\" id=\"wrp-faq-1\">Start with the character&#8217;s emotional history and core wound, then define one dominant trait and complicate it with a contradicting weakness. Add clear values, fears, desires, and a moral boundary, and reveal all of it through choices and dialogue rather than direct labels. The goal is a consistent inner logic that drives how the character reacts under pressure.<\/div><\/div><div class=\"wrp-faq__item w3-faq-item\"><button type=\"button\" class=\"wrp-faq__q w3-faq-question\" aria-expanded=\"false\" aria-controls=\"wrp-faq-2\"><span>What are the main elements of a character&#039;s personality?<\/span><\/button><div class=\"wrp-faq__a w3-faq-answer\" id=\"wrp-faq-2\" hidden>The main elements include core values, emotional tendencies, strengths, flaws, speech patterns, moral boundaries, and the fears and desires that motivate behavior. Together these create a psychological structure that stays consistent across the story while still allowing room for growth.<\/div><\/div><div class=\"wrp-faq__item w3-faq-item\"><button type=\"button\" class=\"wrp-faq__q w3-faq-question\" aria-expanded=\"false\" aria-controls=\"wrp-faq-3\"><span>How many personality traits should a fictional character have?<\/span><\/button><div class=\"wrp-faq__a w3-faq-answer\" id=\"wrp-faq-3\" hidden>Focus on roughly three to five core traits so the character stays clear and recognizable. Too many traits dilute the personality and make it hard for readers to form a firm impression. A few strong, well chosen traits are far more memorable than a long, scattered list.<\/div><\/div><div class=\"wrp-faq__item w3-faq-item\"><button type=\"button\" class=\"wrp-faq__q w3-faq-question\" aria-expanded=\"false\" aria-controls=\"wrp-faq-4\"><span>How do you show personality without telling the reader directly?<\/span><\/button><div class=\"wrp-faq__a w3-faq-answer\" id=\"wrp-faq-4\" hidden>Reveal personality through action, dialogue, habits, and the choices a character makes under pressure. Let readers watch the character walk into danger, snap at a friend, or quietly help a stranger, and they will draw conclusions on their own. Showing behavior is always more convincing than announcing a trait.<\/div><\/div><div class=\"wrp-faq__item w3-faq-item\"><button type=\"button\" class=\"wrp-faq__q w3-faq-question\" aria-expanded=\"false\" aria-controls=\"wrp-faq-5\"><span>What is a character&#039;s core wound and why does it matter?<\/span><\/button><div class=\"wrp-faq__a w3-faq-answer\" id=\"wrp-faq-5\" hidden>A core wound is a painful past experience that shaped the character&#8217;s beliefs and fears, such as an abandonment, a betrayal, or a public failure. It matters because it creates consistent emotional reactions and explains why the character behaves the way they do, giving their personality a believable root.<\/div><\/div><div class=\"wrp-faq__item w3-faq-item\"><button type=\"button\" class=\"wrp-faq__q w3-faq-question\" aria-expanded=\"false\" aria-controls=\"wrp-faq-6\"><span>How do you make a character personality feel realistic?<\/span><\/button><div class=\"wrp-faq__a w3-faq-answer\" id=\"wrp-faq-6\" hidden>Give the character genuine flaws alongside their strengths, let their behavior shift depending on who they are with, and allow them to grow and change over the course of the story. Grounding traits in psychological models like the Big Five and revealing backstory gradually also helps a personality feel like a real, evolving person.<\/div><\/div>\n<\/div>\n<h2>Final Thoughts<\/h2>\n<p>Creating a character personality is not about inventing a handful of random traits and hoping they stick. It is about building a psychological structure that feels authentic, consistent, and purposeful. Start with the emotional wound, define the core traits and their contradictions, pair every strength with a matching flaw, establish clear moral boundaries, and always show personality through choices rather than labels. Allow your character to grow, and let their personality drive the plot instead of the other way around.<\/p>\n<p>When you craft a character whose personality shapes their decisions, their relationships, and their transformation, readers will not simply follow the story. They will invest in it emotionally, and once readers care that deeply about a character, they will follow that person anywhere. If you are ready to bring your characters to life on the page, our team offers professional <a href=\"https:\/\/westernreflectionspublishing.com\/novel-writing-services\/\">novel writing services<\/a>, hands on <a href=\"https:\/\/westernreflectionspublishing.com\/developmental-editing-services\/\">developmental editing services<\/a> to strengthen character arcs, and <a href=\"https:\/\/westernreflectionspublishing.com\/screenplay-script-writing-services\/\">screenplay and script writing services<\/a> for stories built to be performed. Once your draft is complete, our <a href=\"https:\/\/westernreflectionspublishing.com\/professional-book-editing-services\/\">professional book editing services<\/a> can help polish every scene until your characters truly shine.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Learning how to create a character personality in a story is one of the most valuable skills a writer can develop. Plot pulls readers in, and vivid world building keeps them curious, but personality is what makes them stay. People do not fall in love with events. They fall in love with characters who feel [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":902525,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-4082","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-book-writing"],"_links":{"self":[{"href":"https:\/\/westernreflectionspublishing.com\/blogs\/wp-json\/wp\/v2\/posts\/4082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/westernreflectionspublishing.com\/blogs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/westernreflectionspublishing.com\/blogs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/westernreflectionspublishing.com\/blogs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/westernreflectionspublishing.com\/blogs\/wp-json\/wp\/v2\/comments?post=4082"}],"version-history":[{"count":4,"href":"https:\/\/westernreflectionspublishing.com\/blogs\/wp-json\/wp\/v2\/posts\/4082\/revisions"}],"predecessor-version":[{"id":904410,"href":"https:\/\/westernreflectionspublishing.com\/blogs\/wp-json\/wp\/v2\/posts\/4082\/revisions\/904410"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/westernreflectionspublishing.com\/blogs\/wp-json\/wp\/v2\/media\/902525"}],"wp:attachment":[{"href":"https:\/\/westernreflectionspublishing.com\/blogs\/wp-json\/wp\/v2\/media?parent=4082"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/westernreflectionspublishing.com\/blogs\/wp-json\/wp\/v2\/categories?post=4082"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/westernreflectionspublishing.com\/blogs\/wp-json\/wp\/v2\/tags?post=4082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}